"Two Deliverances" by The Hotelier

There’s a snap and punch to the drums that feels almost too close. Neither glossy nor lo-fi. Just freakin' real.

Black and white cover of the album "Goodness" by The Hotelier

There’s a snap and punch to the drums in "Two Deliverances" by The Hotelier that feels almost too close. Neither glossy nor lo-fi. Just freakin' real. Tuned high, struck hard, and captured in a room that gives them space without washing things out. The kick is meaty, the cymbals breathe, and everything surrounding the kit seems to move in response. It’s percussion that makes you sit up a little straighter.



I don’t know much about the band, and I’ve got little personal history with them. I stumbled across this song on some social feed where a poster was ranting about drum tone. Turns out, they were right.

"Two Deliverances" doesn’t start loud, but it does start tense and earnest. The guitars envelop and float like signal flares in fog. Spacious and drifting, but never muddy. Underneath, the bass holds low and steady. The band is locked in and the snare cuts through with startling clarity. The performance is tight but human. Each fill lands with intention, not flash. The rhythm section never rushes. It moves forward with purpose.

On a good system, the stereo image opens up. Guitars hang wide, bass stays center, vocals feel close. But it's the drums that lock you in place. They form the emotional floor of the track.

Listen for: The way the snares and cymbals dominate, but never overwhelm. Sharp and physical, with plenty of space. When the climax happens around 1:50 you can still hear and place everything in the mix.


Data

Song: Two Deliverances
Album: Goodness
Artist: The Hotelier
Genre: Indie Rock, Alt Rock
Year: 2016
Length: 3:58
Composer: Christian Holden
Producer: The Hotelier